Canada. Contemporary Canadian Photography from the Collection of the National Film Board. Foreword by Hugh MacLennan. Introduction by Martha Langford. Signed book Yochelson argues that Alland’s work

Yochelson argues that Alland’s work was a deliberate counter-narrative to the rising nativism and racial tensions of the 1930s and 40s

with near very good protected dust jacket with several closed edge tears not affecting cover images

since earlier issues were dominated by black-and-white photography

industrial expansion of cities

Canada. Contemporary Canadian Photography from the Collection of the National Film Board. Foreword by Hugh MacLennan. Introduction by Martha Langford. Signed book Yochelson argues that Alland’s workHurting, 1984. 176 pages. Hardcover, fine, with very good protected dust jacket that has a short tear on rear bottom panel, a bit of edge wear, and crease on back inner flap corner at bottom. Summary: Contemporary Canadian Photographers from the Collection of the National Film Board presents a curated overview of Canadas modern photographic landscape, highlighting the diversity of styles, subjects, and artistic approaches found within the National