Master Photographs from the “Photography in the Fine Arts Exhibitions,” 1959-1967. Camera Magazine proving how an artist can

proving how an artist can use a camera to overwrite a personal history of wartime trauma with a celebration of peaceful

This early catalogue for a traveling show features his images as well as recordings he made of train sounds

The book stands both as a tribute by one photographer to another and as a key document in photographic history

Mildred Hatry

Master Photographs from the “Photography in the Fine Arts Exhibitions,” 1959-1967. Camera Magazine proving how an artist canICP, 1988. Hardcover with protected dust jacket, issued in conjunction with exhibition at the International Center of Photography, which holds the photos in its collection. Introduction by Cornell Capa. Essays by Norman Cousins Evan Turner, Miles Barth, Nathan Lyons, and Naomi Rosenblum. Two of the essays concern Ivan Dmitri and his role in the PFA exhibitions. Arranged in chapters: Illustrative Photography; Documentary Photography; Expressive