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Largely eschewing the bluish nighttime exterior of Motleys Bronzeville, Franklin and cinematographer Tak Fujimoto opt instead for a sepia-toned depiction of postwar L.A

when Angel runs into Buffy in her bedroom wearing a blood-red dress that exposes her neck, he has to jump out the window to stop himself from jumping on her then and there

The researchers further found that if the dress was shown in artificial yellow-coloured lighting almost all respondents saw the dress as black and blue, while they saw it as white and gold if the simulated lighting had a blue bias

1 2 "Striking individual differences in color perception uncovered by 'the dress' photograph"

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